A salon in the heart of Milan with a creative and innovative interior design, thanks to the aluminium and fabric furnishing system.
Aldo Coppola’s atelier dresses up with ABS Group fabrics
A salon in the heart of Milan with a creative and innovative interior design, thanks to the aluminium and fabric furnishing system.
#TheChallenge
To divide up the spaces with the aluminium fabric structures, and create custom-made furnishings with visually-striking interchangeable and eco-friendly fabric coverings.
#TheChallenge
To divide up the spaces with the aluminium fabric structures, and create custom-made furnishings with visually-striking interchangeable and eco-friendly fabric coverings.
#WhatsNew
The fabric with the Shape metal weave, which can be modelled and sculpted, and the new back-lighting system with RGB LEDs, which change colour and light intensity.
#WhatsNew
The fabric with the Shape metal weave, which can be modelled and sculpted, and the new back-lighting system with RGB LEDs, which change colour and light intensity.
#DestinationRetail
400 square metres dedicated to the world of beauty and wellness, divided into fast retail, a hair & beauty area, and a space for children, in a Milan mega store.
#DestinationRetail
400 square metres dedicated to the world of beauty and wellness, divided into fast retail, a hair & beauty area, and a space for children, in a Milan mega store.
The project
While aiming to exploit the spaces suitably, we mainly set out to give shape to the creative idea of “Dressing Beauty” by Aldo Coppola Jr: following the interpretation of architect Anton Kobrinetz. From the counters and equipped walls to the lamps and original hourglass-shaped displays: The new Coppola atelier has literally ‘dressed’ itself with printed and personalized ABS Group fabrics, thus creating an elegant and innovative furnishing system. This project gave us the opportunity to introduce and present some new products: the back lighting of the structures with RGB LEDs, which change colour, and the new material Shape, which is a fabric made of 50% polyester and 50% steel. The metal threads inserted into the fabric’s weave make it mouldable. Using only manual work and sewing, it allows impressive and dynamic 3D surfaces to be created.
From the two sculptural welcome desks at the entrance, back-lit and embellished with glass tops and the sculpture-installation hourglass displays standing over two metres high that change colour with RGB LEDs, to the over 20 aluminium and fabric lamps and the 24 back-lit walls, equipped with shelves and drawers: the new Aldo Coppola atelier today is now a bright and innovative space which confirms the important role of fabrics in creating furnishing systems for the retail sector.
The project
While aiming to exploit the spaces suitably, we mainly set out to give shape to the creative idea of “Dressing Beauty” by Aldo Coppola Jr: following the interpretation of architect Anton Kobrinetz. From the counters and equipped walls to the lamps and original hourglass-shaped displays: The new Coppola atelier has literally ‘dressed’ itself with printed and personalized ABS Group fabrics, thus creating an elegant and innovative furnishing system. This project gave us the opportunity to introduce and present some new products: the back lighting of the structures with RGB LEDs, which change colour, and the new material Shape, which is a fabric made of 50% polyester and 50% steel. The metal threads inserted into the fabric’s weave make it mouldable. Using only manual work and sewing, it allows impressive and dynamic 3D surfaces to be created.
From the two sculptural welcome desks at the entrance, back-lit and embellished with glass tops and the sculpture-installation hourglass displays standing over two metres high that change colour with RGB LEDs, to the over 20 aluminium and fabric lamps and the 24 back-lit walls, equipped with shelves and drawers: the new Aldo Coppola atelier today is now a bright and innovative space which confirms the important role of fabrics in creating furnishing systems for the retail sector.
